 Artist: Bettie Serveert: mp3 download Genre(s): Indie Other Discography:  Attagirl Year: 2005 Tracks: 10  Palomine Year: 1992 Tracks: 11 Although they didn't cross over into the mainstream the elbow room some of their peers did, Holland's Bettie Serveert became substantial college-radio stars during the '90s with their jangling, sweet melodic, at multiplication astonishingly powerful guitar pop. Their sound was conversant, regular archetypical, all the like with its own decided tone that suggested whatever number of source points and made claim comparisons elusive. Much of the band's reputation rested on its 1992 debut, Palomine, and even though vital view of their subsequent work out was shared out, they continued to maintain a furore audience through the ten. Bettie Serveert were formed in Amsterdam and existed in brief in 1986 when De Artsen members Peter Visser (guitar) and Herman Bunskoeke (bass part) cease their banding to link up with Canadian-born vocaliser Carol van Dijk, whose family unit stirred to the Netherlands when she was a kid. However, with the spill of their debut album, Conny Waves With a Shell, De Artsen gained a wider audience about Holland, and with plentiful demand for their live play, Visser and Bunskoeke rejoined; meanwhile, van Dijk was chartered as De Artsen's new sound locomotive engineer. When De Artsen stone-broke up once more in 1990, Bettie Serveert reconvened with new drummer Berend Dubbe, a puerility friend of vanguard Dijk's and a roadie for De Artsen. Dubbe suggested the band's call, afterwards an instruction manual by Dutch lawn tennis asterisk Bettie Stoeve. Bettie Serveert recorded a seven-song demonstration in early 1992 that found its way to the American indie Matador, thanks to a ally of the ring wHO worked in a long suit record shop. Matador signed them immediately and released their debut album, Palomine, afterwards that twelvemonth. Palomine received enthusiastic reviews, and the singles "Uncle Tom Boy" and "Kid's Allright" landed substantial airplay on college receiving set, making Bettie Serveert highly popular on the campus circuit. They launched an all-encompassing encouraging term of enlistment of America, and became true stars in their base country; they as well helped make Matador as America's emerging indie label of pick, along with seminal artists like Pavement and Liz Phair. In the wake of Palomine, Bettie Serveert exhausted around tercet age on the road, playing with artists like Belly, Dinosaur Jr., Superchunk, Buffalo Tom. When it in the end came clock time to book the followup to Palomine, the ring was noneffervescent scrambling to craft more material; although Lamprey eel was generally well-reviewed upon its spill in 1995 and sold decently among the group's college fan nucleotide, it proven a more worldwide accumulation than its predecessor. Despite greater direction and a high profile turn with Counting Crows, the same was true of 1997's Dust Bunnies, and with its faith in the radical vitiated, Matador dropped them from its roll. Bettie Serveert regrouped with 1998's live, all-covers speculation Bettie Serveert Plays Venus in Furs and Other Velvet Underground Songs, released on the modest Dutch label Brinkman. After its completion, drummer Dubbe leftfield the band and was replaced by one-time De Artsen skinsman Reinier Veldman. The band regrouped in 2000 for Private Suit, which was acclaimed in some living quarters as its strongest try since Palomine. After its dismissal and attendant touring, Bettie Serveert went on a hiatus that saw van Dyk forming the ragged province act Chitlin' Fooks. But the isthmus returned in March 2003 with Log 22, and again the following yr with the challenging Attagirl. [Attagirl touchstone its US dismissal via Minty Fresh in January 2005.] |
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